The author was expecting from the stories coming in the Saddharmaratnavaliya. It is not to present the original Dhammapatta story in the same way, but to describe human life in a contemporary society in which the author lived in a novel way.
The events in the story of Dhammapada are related to Indian society. The author of Saddharma Ratnavali did not hesitate to include in the Saddharma Ratnavali the contemporary thoughts, wishes and ethics of the local society. The stories in the Saddharma Ratnavaliya illustrate the deep experience gained from human life and the wealth of knowledge possessed by the author.
The author of Saddharma Ratnavali has used his writing power to describe the reality, function and human nature of human life through its narratives. Especially some of the stories of the author Saddharmaratnavali. Modern novels are similar to the stories of short story writers
That is to say, it is correct to give advice on how to shape lives in almost every story. Insulting those who should be ridiculed. Explaining the complexity of humanity at certain times. It can be said that the main intention of Ven. Saddharmaratnavali author Dharmasena Thera was to reveal a deep understanding of social life through these stories.
In the Saddharmaratnavaliya, Mattakundali, Kundalakeshi stories, which feature many of the stories, are about the good qualities of people of all walks of life, from the highest to the lowest levels of society. Evil traits are also described by Ratnavali in his book. The author of the white syllabary, Ratnavali, has portrayed how those good qualities lead to the good of the society and the bad qualities lead to the destruction of the individual. He used the stories of Ramma Padatta Katha for his book.
Also, it is clear from the many characters that Saddharmaratnavali had a trick of penetrating the human mind. In this book, Ven. Dharmasena also hopes to create the necessary environment to build a righteous support by portraying white and black characters. Wine Ebuma seems to have unleashed moralism in his book.
The stories presented by the author Saddharmaratnavali are old, but they are never old. It can be considered as a special feature of Saddharmaratnavali prose poetry. Dharmasena Thero has also included the special life story of the contemporary society in the stories in the Swathiya book. Also all the storytelling to the taste. Undeterred, the essay is presented in a contemporary style using contemporary colloquial language. Taken
This book is important for Sasha's exploration because of its contemporary use of contemporary folklore in the Saddharmaratnavali, and its importance in modern times, as well as the opportunity for moderns to know what the language form of the time was.
Dharmaseka uses catchy parables in the vernacular. It was a special skill of the monks. Also, the fact that the characters are portrayed in a way that suits each character in Lakshmi's advertisement can be considered as a salient feature of the author of Saddharmaratnavali. Also, the stories in the Saddharma Ratnavali depict the nature of the Anushya nature. The author Saddharmaratnavali has also managed to portray the female character as well as the tree.
Initial Criticism of Sinhala Literature Criticism of a literary work is its pros and cons. For the first time in the history of Sinhala literature, a critique of a literary work was started during the Matara literary era. This literary critique, which is mentioned for the first time in the history of Sinhala literature since the Anuradhapura period, is the Sasvatsadam theory.
During the Mahara period, David de Silva Tilakaratne Mudali performed a charitable deed from Godapitiya in Akuressa to Matara. The pilgrimage ended with the departure of Maharin from a pirith pavilion adorned on both sides of the river and reached the land of Aturussa within ten days. By the time the Matara Perahera left for Akuressa, a similar procession from the Godapitiya of Akuressa to Matara along the Nilwala River was arranged by David de Silva Tilakaratne Mudali. This great deed has been completed very successfully
Enthusiastic about doing so, Katuwana Dissanayake Muhandiram also wrote a silo book entitled 'Erotic Ascension Praise'. To find out the merits and demerits of this book of poetry and to report it to Davin de Silva Tilakaratne Mudali, he entrusted this task to Abeysinghe Mudali of Galle. But he refused to make such a criticism and Abeysinghe could not escape Mudali
Place. Abeysinghe gave Mudaliti a slight critique of the book of poetry. Abeysinghe Mudali made that criticism to the face of its author Katuwana. As Katuwa's face continued to jump out of it to inquire of the monks, it became a literary scholarly controversy, leading to a lengthy literary critique. That literary criticism is the first literary criticism related to the field of Sinhala literature. Criticism of other literature began after the Sawsatdam controversy.
Poet Chakravarthy Poojyapada Mihiripenne Dharmarathana, who is best known for his contribution to the art of Sinhala literary criticism, was quoted as saying: For Literary Students to Know.)